Category:Crystal Gazing: Difference between revisions

Crystal Gazing, also known as Crystallomamancy, is a method of scrying into a transpaarent, translucent, or opaque crystal ball or natural rock crystal.

Because of the inherent beauty of crystals balls, the craftsmanship that goes into making them, and the difficulty of depicting their lucent qualities in art, they have become a popular subject in art. They are seen both as still-life subjects and, when a person is shown using them for scrying, as props in genre art that depicts fortune tellers. The high price of good crystal balls means that they are not the tools of folkloric or domestic divination systems such as Palmistry, Dice Reading, Domino Reading, or Cartomancy, and their traditional point of origin -- India -- leads to artists often choosing to supply "exotic" sets and "romantic" costumes, both when the image is documentary and when it is a fantasy.

Untitled (Girl With a Crystal Ball) by the Irish painter J. R. Skelton, 1914

The relatively small size and heavy weight of a genuine quartz crystal ball leads artists in two directions:, they either go in for a close-up portrait of the person holding a finger-ball or palm-ball, or they enlarge the sphere to gargantuan size, which creates a large void in the image, which is then filled with visualizations of what the scryer actually sees. The latter is particularly common in the representations of crystal balls in film.

Several methods of crystal gazing -- and dozens of early 20th century pen-and-ink drawings of crystal gazers with their spheres -- are revealed in "Secrets of the Crystal Silence League" by Claude Alexander Conlin.

"Secrets of the Crystal Silence League: Crystal Ball Gazing, the Master Key to Silent Influence" by Claude Alexander Conlin (Lucky Mojo Curio Co.)

catherine yronwode
curator, historian, and docent
Your Wate and Fate

Special thanks to my dear husband and creative partner nagasiva yronwode for illustrations, scans, and clean-ups.