Crystal Balls in Film 2: Difference between revisions

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When considering the subject of fortune telling, one is immediately hi with the generally agnostic or atheistic attitude toward any other form of spirituality or folk belief beyond extreme deference to Christianity (often in the form of Catholic devotionalism). Once the self-imposed film industry guidelines known as the Hays Code was instituted in 1934, not only was sexuality suppressed in cinema, but, with a few exceptions, actors from all ethnic minority cultures -- Jews , Blacks, Asians, Native Americans -- were mostly eliminated from leading roles and reduced to small comedy bits or set pieces as as villains or victims. Fortune tellers underwent the same degradation, and in very few post-Code films are the psychics truly psychic.  
When considering the subject of fortune telling, one is immediately hi with the generally agnostic or atheistic attitude toward any other form of spirituality or folk belief beyond extreme deference to Christianity (often in the form of Catholic devotionalism). Once the self-imposed film industry guidelines known as the Hays Code was instituted in 1934, not only was sexuality suppressed in cinema, but, with a few exceptions, actors from all ethnic minority cultures -- Jews , Blacks, Asians, Native Americans -- were mostly eliminated from leading roles and reduced to small comedy bits or set pieces as as villains or victims. Fortune tellers underwent the same degradation, and in very few post-Code films are the psychics truly psychic.  
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During the Hays Code era, from 1934 to 1968, fortune tellers were generally portrayed as comedic bumblers, scamming fraudsters, or wicked villains -- and sometimes two of three in the same film. One favoured trope was the fraudulent fortune teller who is is surprised when a prediction actually comes true. Another stereotype was the fraudulent fortune teller who reforms in order to find love, or dies in the attempt. A third styling featured the evil "exotic" fortune teller, often Romani or Asian, who manipulates clients for monetary gain. A fourth concept was the wise elder who dons a costume and poses as a fortune teller to convey information to younger people in order to improve their lives.  
File:Return-of-Chandu-Bela-Lugosi-Crystal-Ball-Poster.jpg| 1934: "The Return of Chandu (The Magician)," Episode 6: Chandu's False Step, starring Bela Lugosi and Maria Alba. This poster features an image of the same large crystal ball seen in "The Wizard of Oz." <br> Colour poster. <br> Genre: Fantasy.


In addition to the cultural biases against fortune telling that permeated early to mid 20th century film, the portrayal of psychic readers faced other considerable barrier as a subject for film -- one that is a ludicrous byproduct of the filmic art itself: the tools of fortune telling are too small to film well! It sounds so silly, but think about it: [[:Category:Cartomancy|cartomancy]], [[:Category:Palmistry|palmistry]], [[:Category:Astrology|horoscopy]], [[:Category:Tasseomancy|tasseomancy]], [[:Category:Dice Reading|dice reading]], [[:Category:Domino Reading|domino reading]], and [[:Category:Crystal Gazing|crystal gazing]] are table-top activities, and their tools generally fill a space from two inches square, for a small crystal ball to the size of a sheet of letter or legal paper, for a horoscope.  
File:Return-of-Chandu-Bela-Lugosi-Lobby-Card-Crystal-Ball-2.jpg| 1934: "The Return of Chandu (The Magician)," Episode 6: Chandu's False Step, starring Bela Lugosi: Bela Lugosi as Frank Chandler, or Chandu, consults his crystal ball. <br> Black and white lobby card. <br> Genre: Fantasy.


What this means in terms of cinematic staging is that a wide view of a room will not disclose the c of these tools, and only a close-up will let the audience see them. But even then, how will uninformed viewers interpret the images? Will a tarot card of the 3 of pentacles be meaningful? How about the lines on the palm of an actr's hand (and what if the actor's lines do not crrespond to the nature of the character he is playing)? Can the roll of three dice be significant to a film-goer? The answer is, "No," and of all the popular methods of divining, only astrology looks good when blows up to the size of a wall chart. As for crystal balls -- too small, too reflective, too clear.  
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During the Hays Code era, from 1934 to 1968, fortune tellers were generally portrayed as comedic bumblers, scamming fraudsters, or wicked villains -- and sometimes two of three in the same film. One favoured trope was the fraudulent fortune teller who is is surprised when a prediction actually comes true. Another stereotype was the fraudulent fortune teller who reforms in order to find love, or dies in the attempt. A third styling featured the evil "exotic" fortune teller, often Romani or Asian, who manipulates clients for monetary gain. A fourth concept was the wise elder who dons a costume and poses as a fortune teller to convey information to younger people in order to improve their lives.  
<center>
<gallery widths="300px" heights="450px" perrow="3" align="center; cellspacing=8px; cellpadding: 5px 5px 5px 5px;">


These problems were solved in various ways for various forms of fortune telling in cinema -- but for crystal balls, one coloution was obvious: BIGGER BALLS.  
File:Return-of-Chandu-Bela-Lugosi-Lobby-Card-Crystal-Ball.jpg| 1934: "The Return of Chandu (The Magician)," Episode 6: Chandu's False Step, starring Bela Lugosi, and Maria Alba: Dean Benton as Bob Regent, Bela Lugosi as Frank Chandler (Chandu), and Phyllis Ludwig as Betty Regent views the future in a small crystal ball. <br> Sepia tone lobby card.  <br> Genre: Fantasy.


In an earlier episode, on Crystal Balls in Art, which i titled [[Lovely Ladies and Their Little Balls]], i presented gallery and commercial art that featured women holding small crystal spheres, ranging in size from 2" finger balls to 3" palm balls. Although these sometimes appear in film, they are more likely to be placed on a stalk-like sand than to be held in the hand. Far more common in cinema, however, are 4" and 5" table balls, placed in carved wood stands or cast brass stands of an Asian type.  
File:Return-of-Chandu-Bela-Lugosi-crystal-ball-as-machine.jpg| 1934: "The Return of Chandu (The Magician)," Episode 6: Chandu's False Step, starring Bela Lugosi and Maria Alba: Bela Lugosi as Frank Chandler (Chandu) charges up his crystal ball-capped mystic machine. <br> Black and white publicity still.  <br> Genre: Fantasy.


But, as ethologist Nikolaas Tinbergen demonstrated in like what T.N.C. Vidya calls "the curious phenomenon of exaggerated responses to supernormal stimuli in animals,"                                                   
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</center>
In addition to the cultural biases against fortune telling that permeated early to mid 20th century film, the portrayal of psychic readers faced other considerable barrier as a subject for film -- one that is a ludicrous byproduct of the filmic art itself: the tools of fortune telling are too small to film well! It sounds so silly, but think about it: [[:Category:Cartomancy|cartomancy]], [[:Category:Palmistry|palmistry]], [[:Category:Astrology|horoscopy]], [[:Category:Tasseomancy|tasseomancy]], [[:Category:Dice Reading|dice reading]], [[:Category:Domino Reading|domino reading]], and [[:Category:Crystal Gazing|crystal gazing]] are table-top activities, and their tools  generally fill a space from two inches square, for a small crystal ball to the size of a sheet of letter or legal paper, for a horoscope.
<center>
<center>
<gallery widths="300px" heights="450px" perrow="3" align="center; cellspacing=8px; cellpadding: 5px 5px 5px 5px;">
<gallery widths="300px" heights="450px" perrow="3" align="center; cellspacing=8px; cellpadding: 5px 5px 5px 5px;">


File:Business-and-Pleasure-1932-1.jpg| 1932: "Business and Pleasure," starring Will Rogers, Joel McCrea, and Boris Karloff. Will Rogers with a crystal ball and Jetta Goudal as Madame Momora. <br> Black and white publicity still.  <br> Genre: Comedy.
File:The-Wizard-of-Oz-1939-Judy-Garland-Frank-Morgan-Dorothy-at-Professor-Marvels-Billboard.jpg| 1939: "The Wizard of Oz," starring Judy Garland and Frank Morgan. Dorothy Gale (Garland) approaches the travelling abode of Professor Marvels. <br> Sepia tone publicity still.  <br> Genre: Fantasy.


File:Business-and-Pleasure-1932-2.jpg|1932: "Business and Pleasure," starring Will Rogers, Joel McCrea, and Boris Karloff. Will Rogers with a crystal ball and Peggy Ross as Olivia Tinker. <br> Black and white publicity still. <br> Genre: Comedy.
File:The-Wizard-of-Oz-1939-Judy-Garland-Frank-Morgan-Dorothy-and-Professor-Marvel-at-table.jpg| 1939: "The Wizard of Oz," starring Judy Garland and Frank Morgan: Judy Garland as Dorothy consults Professor Marvel with his crystal ball. Professor Marvel's small crystal ball prefigures the large one used by the Wicked Witch of the West.<br> Sepia tone publicity still. <br> Genre: Fantasy.


File:The-Mind-Reader-1933-Warren-William-Constance-Cummings-poster.jpg|1933: "The Mind Reader," starring Warren William and Constance Cummings. <br> Colour poster. <br> Genre: Action, Crime, Drama.
</gallery>
</center>
What this means in terms of cinematic staging is that a wide view of a room will not disclose the c of these tools, and only a close-up will let the audience see them. But even then, how will uninformed viewers interpret the images? Will a tarot card of the 3 of pentacles be meaningful? How about the lines on the palm of an actr's hand (and what if the actor's lines do not crrespond to the nature of the character he is playing)? Can the roll of three dice be significant to a film-goer? The answer is, "No," and of all the popular methods of divining, only astrology looks good when blows up to the size of a wall chart. As for crystal balls -- too small, too reflective, too clear.  


File:The-Mind-Reader-1933-Warren-William-crystal-ball-lobby-card.jpg|1933: "The Mind Reader," starring Warren William and Constance Cummings. <br> Colour Lobby Card. <br> Genre: Action, Crime, Drama.
These problems were solved in various ways for various forms of fortune telling in cinema -- but for crystal balls, one coloution was obvious: BIGGER BALLS.  
<center>
<gallery widths="300px" heights="450px" perrow="3" align="center; cellspacing=8px; cellpadding: 5px 5px 5px 5px;">


File:The-Mind-Reader-1933-Warren-William-Black-and-White-Still.jpg|The Mind Reader 1933; Loretta Andrews, Ruthelma Stevens, Warren William, Constance Cummings, and Mayo Methot.<br> Black and white lobby card. <br>Genre: Action, Crime, Drama.
File:The-Wizard-of-Oz-1939-Judy-Garland-Frank-Morgan-Dorothy-and-Professor-Marvel.jpg| 1939: "The Wizard of Oz," starring Judy Garland and Frank Morgan: Dorothy consults the professor. Professor Marvel's small crystal ball prefigures the large one used by the Wicked Witch of the West. <br> Sepia tone publicity still. <br> Genre: Fantasy.


File:The-Mind-Reader-1933-2-Warren-William-Black-and-White-Still.jpg|1933: "The Mind Reader," starring Warren William. Warren William with a crystal ball. <br>Black and white lobby card. <br>Genre: Action, Crime, Drama.
File:The-Wizard-of-Oz-1939-Crystal-Ball-Set-Decoration-Witches-Tower.jpg| 1939: "The Wizard of Oz," starring Judy Garland and Margaret Hamilton. The "Witches Tower" set from "The Wizard of Oz," showing the large crystal ball in place. <br> Black and white publicity set decoration shot. <br> Genre: Fantasy.


File:The-Mind-Reader-1933-Warren-William-Constance-Cummings-crystal-ball-lobby-card.jpg|1933: "The Mind Reader," starring Warren William and Constance Cummings.  <br> Colour Lobby Card.  <br> Genre: Action, Crime, Drama.
</gallery>
</center>
In an earlier episode, on Crystal Balls in Art, which i titled [[Lovely Ladies and Their Little Balls]], i presented gallery and commercial art that featured women holding small crystal spheres, ranging in size from 2" finger balls to 3" palm balls. Although these sometimes appear in film, they are more likely to be placed on a stalk-like sand than to be held in the hand. Far more common in cinema, however, are 4" and 5" table balls, placed in carved wood stands or cast brass stands of an Asian type.  


File:The-Mind-Reader-1933-Warren-William-scene-in-crystal-ball-lobby-card.jpg|1933: "The Mind Reader," starring Warren William and Constance Cummings.  <br> Colour Lobby Card.  <br> Genre: Action, Crime, Drama.
But, as ethologist Nikolaas Tinbergen demonstrated in like what T.N.C. Vidya calls "the curious phenomenon of exaggerated responses to supernormal stimuli in animals,"                                                  
 
<center>
<gallery widths="300px" heights="450px" perrow="3" align="center; cellspacing=8px; cellpadding: 5px 5px 5px 5px;">


File:Red-Lights-Ahead-1936-Ann-Doran-with-crystal-ball-poster.jpg|1936: Red Lights Ahead," starring Andy Clyde and featuring Ann Doran with a crystal ball. <br> Colour poster.  <br> Genre: Comedy, Drama, Family.
File:The-Wizard-of-Oz-1939-Judy-Garland-Clara-Blandick-Dorothy-Sees-Auntie-Em-in-Crystal-Ball.jpg| 1939: "The Wizard of Oz," starring Judy Garland and Clara Blandick: Dorothy (Judy Garland) views Aunt Em (Clara Blandick) in the crystal ball. <br> Colour and sepia tone publicity still.  <br> Genre: Fantasy.


File:Red-Lights-Ahead-1936-Ann-Doran-Paula-Stone-crystal-ball.jpg|1936: Red Lights Ahead," starring Andy Clyde. Paula Stone and Ann Doran with a crystal ball. <br> Black and white lobby card. <br> Genre: Comedy, Drama, Family.
File:The-Wizard-of-Oz-1939-Judy-Garland-Margaret-Hamilton-Dorothy-sees-Wicked-witch-in-crystal-ball.jpg| 1939: "The Wizard of Oz," starring Judy Garland and Margaret Hamilton. Dorothy views the Wicked Witch of the West in the crystal ball. <br> Colour publicity still. <br> Genre: Fantasy.


File:Red-Lights-Ahead-1936-Ann-Doran-with-crystal-ball-in-the-dark.jpg|1936: Red Lights Ahead," starring Andy Clyde. Ann Doran with a crystal ball in the dark. <br> Black and white lobby card. <br> Genre: Comedy, Drama, Family.
</gallery>
</center>


File:Red-Lights-Ahead-1936-Ann-Doran-Addison-Randall-crystal-ball.jpg|1936: Red Lights Ahead," starring Andy Clyde. Addison Randall and Ann Doran with a crystal ball. <br> Black and white lobby card. <br>Genre: Comedy, Drama, Family.
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<gallery widths="300px" heights="450px" perrow="3" align="center; cellspacing=8px; cellpadding: 5px 5px 5px 5px;">


File:The-Crystal-Ball-1943-Ray-Milland-Paulette-Goddard-poster.jpg|1943: "The Crystal Ball," starring Ray Milland and Paulette Goddard. <br> Colour poster. <br> Genre: Comedy, Music, Mystery.
The-Wizard-of-Oz-1939-Margaret-Hamilton-Wicked-Witch-sees-Dorothy-and-friends-in-crystal-ball.jpg| 1939: "The Wizard of Oz," starring Margaret Hamilton and Judy Garland. The Wicked Witch of the West (Hamilton) views Dorothy (Garland) and her companions in the crystal ball. <br> Colour publicity still. <br> Genre: Fantasy.


File:The-Crystal-Ball-1943-Paulette-Goddard-Publicity-Still.jpg|1943: "The Crystal Ball," with Paulette Goddard. <br> Black and white publicity still. <br> Genre: Comedy, Music, Mystery.
File:The-Wizard-of-Oz-1939-Crystal-Ball-found-in-Hollywood-junkyard.jpg| 1939: "The Wizard of Oz," starring Margaret Hamilton. The Wicked Witch's crystal ball salvaged from a Hollywood junkyard. <br>Colour documentary photo. <br> Genre: Fantasy.


File:The-Crystal-Ball-1939-Virginia-Field-Paulette-Goddard-Lobby-Card-Sitting.jpg|1943: "The Crystal Ball," starring Ray Milland and Paulette Goddard. Virginia Field consults crystal gazer  Paulette Goddard. <br> Colour lobby card <br> Genre: Comedy, Music, Mystery.
</gallery>
</center>


File:The-Crystal-Ball-1943-Ray-Milland-Paulette-Goddard-Black-and-White-Still.jpg|1943: "The Crystal Ball," Paulette Goddard and Ray Milland. <br> Black and white publicity still. <br> Genre: Comedy, Music, Mystery.
<center>
 
<gallery widths="300px" heights="450px" perrow="3" align="center; cellspacing=8px; cellpadding: 5px 5px 5px 5px;">
File:Her-Lucky-Night-1945-Noah-Beery-Jr-Martha-O-Driscoll.jpg|1945" "Her Lucky Night," starring the Andrews Sisters, Martha O'Driscoll, and Noah Beery, Jr. Here Martha O'Driscoll gets her fortune told by a crystal gazer. <br> Black and white lobby card. <br> Genre: Comedy, Music, Musical.


File:The-Amazing-Mr.-X-The-Spiritualist-1948-1-Turhan-Bey-Lynn-Bari-crystal-ball-colour-poster.jpg|1948: "The Amazing Mr. X," also released as "The Spiritualist," starring Turhan Bey as the lead character, with Lynn Bari and Cathy O'Donnell. <br> Colour poster. <br> Genre: Thriller.  
File:The-Mask-of-Fu-Manchu-Boris-Karloff-crystal-ball-close-up.jpg| YYYY: "Film Title," starring Boris Karloff and Myrna Loy. Dr. Fu Manchu (Karloff) and Fa Lo See (Loy) are distracted while consulting the gigantic crystal ball. <br> Black and white publicity still. <br> Genre: Horror.


File:The-Amazing-Mr.-X-The-Spiritualist-1948-2-Turhan-Bey-Lynn-Bari-crystal-ball-blue-poster.jpg| 1948: "The Amazing Mr. X," also released as "The Spiritualist," starring Turhan Bey as the lead character, with Lynn Bari and Cathy O'Donnell. <br> Blue duo-tone poster. <br> Genre: Thriller.
File:The-Mask-of-Fu-Manchu-Boris-Karloff-crystal-ball-set.jpg| 1932: "The Mask of Fu Manchu," starring Boris Karloff and Myrna Loy. Boris Karloff in "The Mask of Fu Manchu." The set dressing shows the large crystal ball famous from "The Wizard of Oz" and "The Return of Chandu." <br> Black and white photograph of set decoration.  <br> Genre: Horror.
 
File:The-Amazing-Mr.-X-The-Spiritualist-1948-3-Turhan-Bey-Lynn-Bari-crystal-ball-poster.jpg| 1948: "The Spiritualist," an alternate title for "The Amazing Mr. X," starring Turhan Bey as the lead character, with Lynn Bari and Cathy O'Donnell. <br> Colour poster. <br> Genre: Thriller.
 
File:Amazing-Mr-X-The-Spiritualist-spiritualist-seance-with-crystal-ball.jpg | 1948: "The Amazing Mr. X," an unusual photo shot from beneath the table of a Spiritualist seance with a crystal ball. <br>Black and white publicity still <br> Genre: Thriller.
 
File:Bewitched-TV-Series-Marion-Lorne-as-Aunt-Clara.jpg| 1964–1972: A publicity still fo the "Bewitched" television series featuring Marion Lorne as Aunt Clara, holding a crystal ball. <br> Colour publicity still. <br>Genre: Situation Comedy.


</gallery>
</gallery>
</center>
</center>
==See Also==
==See Also==



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Crystal Balls in Film Part Two

When considering the subject of fortune telling, one is immediately hi with the generally agnostic or atheistic attitude toward any other form of spirituality or folk belief beyond extreme deference to Christianity (often in the form of Catholic devotionalism). Once the self-imposed film industry guidelines known as the Hays Code was instituted in 1934, not only was sexuality suppressed in cinema, but, with a few exceptions, actors from all ethnic minority cultures -- Jews , Blacks, Asians, Native Americans -- were mostly eliminated from leading roles and reduced to small comedy bits or set pieces as as villains or victims. Fortune tellers underwent the same degradation, and in very few post-Code films are the psychics truly psychic.

During the Hays Code era, from 1934 to 1968, fortune tellers were generally portrayed as comedic bumblers, scamming fraudsters, or wicked villains -- and sometimes two of three in the same film. One favoured trope was the fraudulent fortune teller who is is surprised when a prediction actually comes true. Another stereotype was the fraudulent fortune teller who reforms in order to find love, or dies in the attempt. A third styling featured the evil "exotic" fortune teller, often Romani or Asian, who manipulates clients for monetary gain. A fourth concept was the wise elder who dons a costume and poses as a fortune teller to convey information to younger people in order to improve their lives.

In addition to the cultural biases against fortune telling that permeated early to mid 20th century film, the portrayal of psychic readers faced other considerable barrier as a subject for film -- one that is a ludicrous byproduct of the filmic art itself: the tools of fortune telling are too small to film well! It sounds so silly, but think about it: cartomancy, palmistry, horoscopy, tasseomancy, dice reading, domino reading, and crystal gazing are table-top activities, and their tools generally fill a space from two inches square, for a small crystal ball to the size of a sheet of letter or legal paper, for a horoscope.

What this means in terms of cinematic staging is that a wide view of a room will not disclose the c of these tools, and only a close-up will let the audience see them. But even then, how will uninformed viewers interpret the images? Will a tarot card of the 3 of pentacles be meaningful? How about the lines on the palm of an actr's hand (and what if the actor's lines do not crrespond to the nature of the character he is playing)? Can the roll of three dice be significant to a film-goer? The answer is, "No," and of all the popular methods of divining, only astrology looks good when blows up to the size of a wall chart. As for crystal balls -- too small, too reflective, too clear.

These problems were solved in various ways for various forms of fortune telling in cinema -- but for crystal balls, one coloution was obvious: BIGGER BALLS.

In an earlier episode, on Crystal Balls in Art, which i titled Lovely Ladies and Their Little Balls, i presented gallery and commercial art that featured women holding small crystal spheres, ranging in size from 2" finger balls to 3" palm balls. Although these sometimes appear in film, they are more likely to be placed on a stalk-like sand than to be held in the hand. Far more common in cinema, however, are 4" and 5" table balls, placed in carved wood stands or cast brass stands of an Asian type.

But, as ethologist Nikolaas Tinbergen demonstrated in like what T.N.C. Vidya calls "the curious phenomenon of exaggerated responses to supernormal stimuli in animals,"

See Also

Lovely Ladies and Their Little Balls

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